




Comics, drawings, photographs and pleasantly musty thoughts from British cartoonist John Bagnall.













Modernist Catholic Churches. These concrete and clear line edifices all date from the late 50s to the turn of the 70s and are from the Archdiocese of Cincinatti. Their mammoth size and confident style all testify to a boom time for American Catholicism when Mass attendance was huge and vocations to the priesthood were at an all time peak. Even new convents were being built at this time. Unthinkable now, when (in the West at least) the thought of a religious vocation is not considered a marketable option.
Happy to announce that from Tuesday 17th March I will be on holiday in Malta. This Mediterranean island has 365 churches and its Cathedral in Valletta is home to Caravaggio's painting of The Beheading of John the Baptist, a gloomy baroque picture I have long wanted to see in situ. As this is the third week in Lent it is too early to see any splendid religious festas in Malta but I hope to soak up the island's devout Catholic culture and also some early spring sunshine.

Pub Signs. These foam-board signs were commisssioned from me by my niece Sarah and her fiancee Craig for their wedding which took place last Sunday. Why pub signs? On their evening "do" they held a pub quiz with team leaders each representing a fictional pub. These signs swung from wooden posts in eight sections of the real pub. The winning team (my sister Elaine's) received cup trophies. Oh and there was fish and chips too. Congratulations Sarah and Craig!







Treasure Chest Comic 1946-1972. This educational comic book was published in the USA by George A Pflaum and provided (free?) to Catholic parochial school students during the above years.Treasure Chest's solid pre-Vatican II dogma expressed in strip form must have been intended as a moral antidote to the horror and superhero comics which were exerting an unholy grip on America's youth.


Vegetable box art. In the quest for the unsophisticated and the unintentionally odd in graphic design I offer these examples of fruit shop cardboard boxes. I had to snap these screenprinted goodies with my roving camera. First is a broccoli box from Channel Farm, Kinross. As this produce is from Scotland I was happy to read the slogan "Builds Braw Bodies". But can anyone tell me why has the boxes designer included an illustration of a braw female body who looks like Marsha Hunt circa 1969, complete with frizzy afro hairstyle and psychedelic bell-bottoms? And how about the cauliflower box also above? No self-respecting Mac carrying designer would dare go for the anthropomorphic angle these days but here we have a cauli with not only a hideous grin but also disturbingly long eyelashes. I hope this vegetable countenance never visits me in a future nightmare...
Dudley D Watkin's Young Warrior Comic Strips. Easily my favourite British cartoonist and revered illustrator of Desperate Dan, Lord Snooty, The Broons and Oor Wullie, Dudley D Watkins also had a lesser known artistic sideline producing Christian tract strips for the Worldwide Evangelisation Crusade during the 1950s and 1960s. Watkins was a highly religious man and always kept a huge Bible near his drawing board. His Bible had wide margins in which he would scribble copious notes when inspiration took hold. Watkin's place of worship was the Dundee Church of Christ, a Free Protestant community where he met his wife.
From 1956 he drew and wrote William the Warrior, a schoolboy character much given to scripture quotations and musing on moral dilemmas. Later he created Tony & Tina, the Warrior Twins (see above) for the Young Warrior Christian Children's Paper. These strips were collected and published in booklets during 1966 and 1969.

Czech Signwriting. I've just returned from my second visit to the city of 1000 spires and cabbage soup, Prague. I don't think I will ever tire of Prague's endlessly fascinating streets, fine gloomy Baroque churches and dusty antique shops, this September in unseasonably nippy temperatures.
These elegant examples of signwriting painted directly onto the building's stonework caught my eye. Somehow the letter style couldn't be from anywhere else but the Czech Republic.