
Above street scene is an unpublished drawing from a couple of years ago.
Comics, drawings, photographs and pleasantly musty thoughts from British cartoonist John Bagnall.







Treasure Chest Comic 1946-1972. This educational comic book was published in the USA by George A Pflaum and provided (free?) to Catholic parochial school students during the above years.Treasure Chest's solid pre-Vatican II dogma expressed in strip form must have been intended as a moral antidote to the horror and superhero comics which were exerting an unholy grip on America's youth.


Vegetable box art. In the quest for the unsophisticated and the unintentionally odd in graphic design I offer these examples of fruit shop cardboard boxes. I had to snap these screenprinted goodies with my roving camera. First is a broccoli box from Channel Farm, Kinross. As this produce is from Scotland I was happy to read the slogan "Builds Braw Bodies". But can anyone tell me why has the boxes designer included an illustration of a braw female body who looks like Marsha Hunt circa 1969, complete with frizzy afro hairstyle and psychedelic bell-bottoms? And how about the cauliflower box also above? No self-respecting Mac carrying designer would dare go for the anthropomorphic angle these days but here we have a cauli with not only a hideous grin but also disturbingly long eyelashes. I hope this vegetable countenance never visits me in a future nightmare...
Dudley D Watkin's Young Warrior Comic Strips. Easily my favourite British cartoonist and revered illustrator of Desperate Dan, Lord Snooty, The Broons and Oor Wullie, Dudley D Watkins also had a lesser known artistic sideline producing Christian tract strips for the Worldwide Evangelisation Crusade during the 1950s and 1960s. Watkins was a highly religious man and always kept a huge Bible near his drawing board. His Bible had wide margins in which he would scribble copious notes when inspiration took hold. Watkin's place of worship was the Dundee Church of Christ, a Free Protestant community where he met his wife.
From 1956 he drew and wrote William the Warrior, a schoolboy character much given to scripture quotations and musing on moral dilemmas. Later he created Tony & Tina, the Warrior Twins (see above) for the Young Warrior Christian Children's Paper. These strips were collected and published in booklets during 1966 and 1969.

Czech Signwriting. I've just returned from my second visit to the city of 1000 spires and cabbage soup, Prague. I don't think I will ever tire of Prague's endlessly fascinating streets, fine gloomy Baroque churches and dusty antique shops, this September in unseasonably nippy temperatures.
These elegant examples of signwriting painted directly onto the building's stonework caught my eye. Somehow the letter style couldn't be from anywhere else but the Czech Republic.






Traditional Catholic Visualism. I've been spending far too much precious time lately lapping up the resplendent photographs on the excellent Hallowed Ground picture blog. Here is an inspired and carefully chosen celebration of the liturgical grandeur that was the Catholic Church before the Second Vatican Council in the 1960s. It has taken many a year to recover from that cultural rupture which (indirectly) brought us a neo-Protestant mistrust of the visual in church worship. Other woeful Vatican II by-products in Catholic liturgy have been banal, folksy hymns and a mood of jamboree rather than awe at the sacred mysteries being represented.



More signs from Lourdes. I wouldn't normally upload any pictures of vinyl (spit) signs but these examples from the grotto domain of Lourdes are certainly untypical. The above request for respectful silence is pleasingly naive and the schematic representation of a humble act of contrition between priest and penitent quite heartwarming. By the way, the confession hall at Lourdes was a little confusing - make one wrong turn and you could be faced with a confessor who could only speak Dutch or Spanish or Italian or German. O Mea Culpa, Mea Maxima Culpa!

Ghost Signs of Lourdes. Not long back from my (early) summer hols in Lourdes and Walsingham - a sort of two-centre pilgrimage jaunt which I enjoyed very much and will be reporting on in future posts. For now, and because its a disgracefully long time since I posted anything, here are 3 rather nice faded wall signs from the back streets of Lourdes. People complain about Lourdes being an over-commercialised Catholic shrine, but an alert eye can detect evidence of an earlier, more quiet era. I particularly like the middle auto sign, this long closed garage once must've been the place to take your Peugeot or Renault for a quick buff and polish.


Rural hand-painted sign. I've driven past this very nice amateur sign nearly every day in the past few months and have grown to love its untutored gloss-paint brushiness. Pointers to its unprofessional charms are (a) closeness of lettering to border (b) confusion between upper and lower case letters, note the dotted 'i' and (c) random application of a serif on the letter U. This formica beauty is located between Leamside and Great Lumley, Co. Durham.











Ladybird Book Art. One recent hardback volume which has been fascinating my reading specs since the beginning of this year has been Boys and Girls, A Ladybird Book of Childhood. This hefty collection of stunning images from the 60s and 70s heyday of Ladybird publishing rises high above the recent glut of UK nostalgia titles like the (admittedly likeable) Jackie, Eagle Comic and Look-In collections which were on every gift-title bookshop stack before the Nativity of Our Lord 2007.